ISTP's are labeled for being able to live in the moment. While I find this can be true, I think there's an over emphasis.
I actively engage my Ti and Ni far more than my Se and Fe which like to work in the background. When something disrupts any of my five senses, my Se snaps me to the outside world like flipping a switch - This gives me relatively accurate and fast reflexes even when I'm deep in my mind. And My Fe allows me to unconsciously feel an atmosphere. Drastic shifts in attention or mood penetrate the air life a knife and 'heavy silences' are indeed weighty. Despite being able to tap on the glass to the outside world to rapidly collect external data, I'm still consciously calculating what I see and hear and make guesses of where it could go from multiple angles.
The only time I feel truly in the moment is when watching a movie or reading a book. Without thinking I can send my Ti and Ni to the backseat and step into a character's shoes, only knowing what they know and experiencing the environment through them. I don't calculate what will happen next or detachedly put together information the character has not yet seen themselves. Only jarring editing, blatantly obvious object placement, or 4th wall comments throw me out of the moment.
Using Cabin in the Woods as an example,
I actively engage my Ti and Ni far more than my Se and Fe which like to work in the background. When something disrupts any of my five senses, my Se snaps me to the outside world like flipping a switch - This gives me relatively accurate and fast reflexes even when I'm deep in my mind. And My Fe allows me to unconsciously feel an atmosphere. Drastic shifts in attention or mood penetrate the air life a knife and 'heavy silences' are indeed weighty. Despite being able to tap on the glass to the outside world to rapidly collect external data, I'm still consciously calculating what I see and hear and make guesses of where it could go from multiple angles.
The only time I feel truly in the moment is when watching a movie or reading a book. Without thinking I can send my Ti and Ni to the backseat and step into a character's shoes, only knowing what they know and experiencing the environment through them. I don't calculate what will happen next or detachedly put together information the character has not yet seen themselves. Only jarring editing, blatantly obvious object placement, or 4th wall comments throw me out of the moment.
Using Cabin in the Woods as an example,